Visual Art             .      

Overlapping figures, colors, and fragments resist a single, stable narrative. Like memories that change each time they are recalled, the composition suggests that images can remain with us while continually acquiring new meanings.     

Discarded plastics drift through an imagined underwater ecosystem, taking on the shapes of marine creatures. By blurring the boundary between living organisms and human waste, the work considers how pollution transforms the natural world.     

A glue gun becomes both the subject of a painting and an instrument used to construct it. Hot glue extends beyond the painted surface, challenging the separation between representation, material, and physical object.     

An observational study of the human figure examines the subtle balance of weight, posture, and proportion. Attention to negative space reveals how a body's presence can be conveyed through both what is drawn and what remains untouched.     

     An arrangement of ordinary household objects becomes an exploration of form, reflection, and unexpected relationships. Through layered charcoal tones and careful observation, familiar objects take on a strange intimacy, inviting viewers to reconsider what they usually overlook.    

Guitars intersect with architectural structures and shifting perspectives. The composition translates musical experience into imagined physical space, asking what sound might look like if it could take up room.     

A child's imagination comes to life through playful drawings, blurring the boundaries between memory, observation, and fantasy.     

Wing-like forms extend outward from the body into an open landscape. Through movement and changing spatial relationships, the work explores how a temporary sculpture can transform both the human figure and its surroundings.     

A series of character and costume studies examines how clothing can transform the body's silhouette and the way a character occupies space. Changes in proportion, layering, and structure suggest different identities and possibilities for performance.     

A study in observation and interpretation, this work considers how visual details can suggest a story without fully explaining it.

A fragmented self-portrait explores the shifting nature of identity and the many versions of ourselves that coexist.     

Fragmented bodily forms, wires, and found materials gather into an unfinished figure. Rather than presenting identity as something complete, this assemblage imagines the self as continually assembled, disrupted, and reconstructed.     

A hollow, body-like form balances on a narrow structure, exploring vulnerability and the tension between freedom and restraint.